Please scroll down for English 

2019 列奥纳多科学、艺术与技术系列讲座

模拟到数字-噪音到信号：摄影、媒体艺术、数据可视化和相机群交互 |

From Analog to Digital - and - from Noise to Signal:

Projects in Photography, Media Arts, Data Visualization and Swarm Camera Interactions 

关于讲座

数字媒体艺术家乔治·拉格迪（George Legrady）将以从模拟到数字，从静态摄影图像到计算机生成的交互式数字媒体装置为线索，展示他至今所完成的作品。

他的作品和研究探索了数字媒体、交互式装置、摄影的数据与计算机可视化。作为将计算问题带入摄影表达的先驱，他对该领域的贡献一直以来是在文化内容和数据处理的交叉当中创造新的表达形式。他在2005年由西雅图公共图书馆委托进行的“使可见的不可见”数据可视化作品可能是目前运行时间最长的数据可视化公共项目。

他的作品被收藏于旧金山艺术博物馆、洛杉矶郡艺术博物馆、加拿大国家美术馆、圣芭芭拉艺术博物馆、蒙特利尔当代艺术博物馆、菲尔布鲁克艺术博物馆、史密森学会、德国卡尔斯鲁厄媒体艺术中心（ZKM）等。他的作品得到了古根海姆艺术奖金、创意资本基金会、国家科学基金会、国家艺术基金会和加拿大艺术委员会的支持。

关于讲者

乔治·拉格迪是加州大学圣芭芭拉分校媒体艺术与技术研究生课程的杰出教授和前任主任，他也是该大学实验可视化实验室主任。他出生于匈牙利布达佩斯，在蒙特利尔长大，并在旧金山艺术学院获得美术硕士学位。他之前曾在斯图加特设计学院、旧金山州立大学、加州大学洛杉矶分校、南加州大学、加州艺术学院、西安大略大学、布达佩斯国家美术学院、和新斯科舍艺术设计学院担任过教职。

折射（2010-2011）

8透镜面板47“x 32”     

Autovision（2014-2015）

3台PTZ摄像机，3台投影机，1台电脑，定制软件

Leonardo Art, Science and Technology Lecture Series

From Analog to Digital - and - from Noise to Signal:

Projects in Photography, Media Arts, Data Visualization and Swarm Camera Interactions 

About the Lecture

George Legrady, a digital media artist, will present a selection of his works as they evolved from analog to digital, from the still-photographic image to computational-generated interactive digital media installations. 

His practice and research explore the intersections of digital media, interactive installations, data and computational photographic visualizations. A pioneer in bringing computation to issues of photographic representation, his contribution to the field has been in intersecting cultural content with data processing to create new forms of representations. His “Making Visible the Invisible” data visualization commissioned by the Seattle Public Library in 2005 may be the longest running data visualization public project as it continues to feature by the hour patrons’ checkouts on six large screens. 

His artworks are in the collection of the San Francisco Museum of Art, Los Angeles County Museum of Art, National Gallery of Canada, Santa Barbara Museum of Art, musée d’art contemporain in Montreal, Philbrook Museum of Art, Smithsonian Institution, ZKM (Center for Art and Media), 21c Museum and others. His work has been supported by a Guggenheim Fellowship Fine Arts, Creative Capital Foundation, National Science Foundation, National Endowment of the Arts, the Daniel Langlois for Art, Science & technology, and the Canada Council for the Arts.

About the Speaker

George Legrady directs the Experimental Visualization Lab, and is former chair (2013-2017) of the Media Arts & Technology graduate program at the University of California, Santa Barbara. He was born in Budapest, Hungary, raised in Montreal, Canada and received the Masters of Fine Arts at the San Francisco Art Institute. He previously held faculty positions at the Merz Akademie, Stuttgart, Germany; San Francisco State University; UCLA; University of Southern California; California Institute of the Arts; University of Western Ontario, Canada; National Academy of Fine Arts, Budapest, Hungary; and the Nova Scotia College of Art & Design, Canada.

Refraction (2010-2011)

8 Lenticular panels 47" x 32"

Autovision（2014-2015）

3 PTZ camera, 3 projectors, 1 computer, custom software